Angelina Jolie and Cynthia Erivo compare notes on holding grace through suffering
Tori Amos breaks silence on allegations against longtime friend Neil Gaiman
"Interview with the Vampire" reminds us, 30 years later, that hope springs eternal
"Agatha All Along" gives its witch a reason to die
"Grotesquerie": Niecy Nash-Betts on her role and that killer finale — "It scared me on the page"
Kathy Griffin’s comeback wins the night at Carnegie Hall, despite Trumpian turbulence outside
"American Horror Stories" gives a tepid crash course on liminal spaces in "Backrooms"
Fox News desperately wants Taylor Swift to procreate: "She needs to have babies!"
Why are influencers like Caroline Calloway ignoring evacuation ordinances during Hurricane Milton?
"Hold Your Breath": Sarah Paulson is stellar in Hulu's paranoiac Dust Bowl horror film
Corey Feldman on why "The Birthday" is his favorite, even though it took 20 years to release
Angelina Jolie shines in "Maria," with a star power too grand for CGI constraints
The scariest moments in "The Substance" have nothing to do with blood and guts
"Saturday Night": Jason Reitman captures the chaos and comedy of a TV revolution
From sex to surrealism: Gregg Araki on the legacy of his "Teen Apocalypse Trilogy"
"Agatha All Along" knows exactly what it's doing
Anna Delvey on "Dancing with the Stars" isn't "brat," it's sad
Terrifying truths: The rise of Black female trauma in horror cinema
Tim Burton's use of a "Soul Train" scene in "Beetlejuice Beetlejuice" was probably not the best idea
How "Beetlejuice" uses music to elevate teen angst, spanning generations
The cringe trinity and chaos: How "Beetlejuice Beetlejuice" defies sequel expectations
How A24's "The Front Room" honors Brandy's '90s hit "The Boy Is Mine" with its buzzy marketing
Foo Fighters did not give Trump permission to use "My Hero" at rally with RFK Jr.
Beyoncé rumors and Trump's live-tweeting take nothing away from Harris' "freedom" at DNC close
